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Pentru a descarca melodia Alisia - Edva li te boli Bulgaria exclusiv din categoria straina adaugata de Dj Nutzu, foloseste urmatorii pasi: • Alege unul din serverele de download care ti-au fost puse la dispozitie. • Urmareste cu atentie detaliile de pe link-ul de download accesat. Doar de acolo poti descarca fisierul dorit. • Ti-a placut? Da-ne un like sau un share la pagina! Optional VitanCLub iti ofera si posibilitatea de a descarca premium, atunci cand butonul 'Download Premium' apare, poti downloada direct de acolo, simplu si rapid. Pentru alte melodii mp3 asemanatoare cu Alisia - Edva li te boli Bulgaria exclusiv acceseaza categoria straina. ![]() Sau daca pur si simplu vrei sa vezi ce mai e nou in materie de muzica, acceseaza link-ul principal pentru lista completa de melodii si albume noi. §lipknot Wait and bleed Lyrics I felt the air rise up in me Kneel down and clear the stone of leaves I wander out where you can't see Inside my shell, I wait and bleed. I felt the air rise up in me Kneel down and clear the stone of leaves I wander out where you can't see Inside my shell, I wait and bleed. I wipe it of my tie, the light is brighter this time Everything is 3D blasphemy My eyes are red and gold, the hair is standing straight up This isn't the way I pictured me I can't control my shakes, how the hell did I get here? Something about this, so very wrong I have to laugh out loud, I wish I didn't like this Is it a dream or a memory? I felt the air rise up in me Kneel down and clear the stone of leaves I wander around where you can't see Inside my shell, I wait and bleed Get outta my head cause I don't need this Why didn't I see this? I'm a victim Manchurian candidate I have sinned by just Makin' my mind up and takin' your breath away! I felt the air rise up in me Kneel down and clear the stone of leaves I wander around where you can't see Inside my shell, I wait and bleed I felt the air rise up in me Kneel down and clear that stone of leaves I wander out where you can't see Inside my shell, I wait and bleed. You haven't learned a thing I haven't changed a thing My flesh was in my bones The pain was always free You haven't learned a thing I haven't changed a thing My flesh was in my bones The pain was always free I felt the air rise up in me Kneel down and clear the stone of leaves I wander out where you can't see Inside my shell I wait and bleed I felt the air rise up in me Kneel down and clear the stone of leaves I wander out where you can't see Inside my shell, I wait and bleed. AND IT WAITS FOR YOU!!!!!!!!!!!!!!!!!!!!!!! ![]() ![]() ![]() ![]() Edva Li Te Boli is one of the Nai-Vurvezhen by Alisia's music, at the same time the song is a very good music, reviewd music on Nov 16, 2014, we provider the best of. Edva Li Te Boli By Alisia. 2008 • 1 song, 4:01. Listen to Alisia now. Listen to Alisia in full in the Spotify app. List of best songs from Alisiq. Alisiq Alisiq; Jestoka Bolka Alisiq; Shte se vozim li Alisiq; Tvurde grubo Alisiq; Bolka Alisiq; Nai Alisiq; Iska li ti se Alisiq; Edva li te boli Alisiq; Chao edi koi si Alisiq. Share this hits list. More greatest hits. Anelia Picture Anelia Desi Slava Picture Desi Slava Emanuela Picture Emanuela. N.html Link to NASA File for Download. Ia/images/saturn/audio/pia04.wav I just wanted to thank everyone for their input.good and bad. I still have no idea yet what this is.I innocently raised it 12 tones and this is what appeared. I dont mean it to be 'scare-mungoring' its just to my mind (as a musician) it has definite patterns to the ear.whether speech, asteroids, magnetic waves, im not qualified to say, but all I know is.its an interesting pattern.JVD Important info - Please read: Speech patterns have been found in a radio signal released by NASA almost 3 years previously in 2004. ![]() Judge the sound for yourself, it is a very bizarre anomaly but very much worth investigating. Instructions: 1) Download and save the original WAV file from NASA/Cassini website: /images/saturn/audio/pia04.wav 2)Op en an audio editor like Cool Edit or Sonar and raise the pitch/frequency of the file by 12 tones with the pitch shifter. And there it is, speech patterns. How can anyone explain this anomaly. Certainly NASA have no explanation for it after we presented the file to them for their opinion. SETI also dont know what make of it. What do you think? ![]() SOURCE: /space-audio/cassini/SKR2/ yours, JVD Yorum Yazın. Joan Seth This is a radio signal released by NASA in 2004. The audio comes from the Cassini spacecraft recordings of radio and plasma waves when it made its flyby of. The stunning Apollo 10 coverup The Music Behind The Moon May 18, 2008 If they lied about this, just imagine what else they lied to you about! Stay tuned for Jose Escamilla's new motion picture documentary 'MOON RISING', where we will go into much further depth about what is, without exaggeration, the most monumental coverup in human history. You have NO idea what you have been missing! Apollo 10 Lunar Module (LM) Onboard Voice Transcription June 1969 Day 5 - Page 195 - Tape 10-03601 AS10_LM 04 06 12 43 CDR Hey, when do we fire the helium tanks? 04 06 12 47 LMP Not yet, babe. 04 06 12 53 CDR You want some more brownies? 04 06 12 54 LMP No. 04 06 12 56 CDR. 04 06 13 02 LMP That music even sounds outer-spaeey, doesn't it? You hear that? That whistling sound? 04 06 13 06 CDR Yes. 04 06 13 07 LMP Who0ooooo. Say your - - 04 06 13 12 CMP Did you hear that whistling sound, too? 04 06 13 14 LMP Yes. Sounds like - you know, outer-space-type music. 04 06 13 18 CMP I wonder what it is. 04 06 13 29 LMP Mine's all burned off. Isn't that weird - eerie, John? 0h 06 13 34 CMP Yes, I got it, too. And see who was outside. Day 5 - Page 195 - Tape 10-03601 AS10_LM 04 06 17 58 LMP Boy, that sure is weird music. 04 06 18 01 CMP We're going to have to find out about that. Nobody will believe us. 04 06 18 07 LMP Yes. It's a whistling, you know, like an outerspace-type thing. 04 06 18 10 CMP Yes. Day 5 - Page 235 - Tape 10-03601 AS10_LM 04 07 32 53 LMP Houston, we've got you on OMNI's. You hear music, Tom? That crazy whistling? 04 07 33 00 CDR I can hear it. 04 07 33 01 LMP That's really weird. 04 07 33 02 CDR It is. Day 5 - Page 237 - Tape 10-03601 AS10_LM 04 07 37 18 LMP It's 52.3. 04 07 37 24 CDR What'd ground give us? 04 07 37 38 LMP Am I glad we didn't torque up the platform. 04 07 37 41 CDR How in the hell did we miss that? 04 07 37 49 LMP We had to have someone on our side that time. 04 07 37 51 CDR Yes. 04 07 37 56 LMP Listen to eerie music' 04 07 38 00 CDR You - You ready? 04 07 38 04 LMP Yes. Day 5 - Page 238 - Tape 10-03601 AS10_LM 04 07 38 49 LMP Boy, it got quiet. 04 07 38 52 CDR Huh? 04 07 38 53 LMP Didn't it? We still got thrusters? 04 07 38 54 CDR Oh, yes. 04 07 38 57 IMP Man, I tell you, it Just got quiet. 04 07 39 33 CMP Roger. 04 07 39 47 CDR Those numbers again, Gene-o, are what? 04 07 39 57 IMP I'll put mine on, Tom. 04 07 40 51 LMP I tell you, John, that music is really weird. 04 07 40 55 CMP. Think we're going to get it on the front side? 04 07 40 58 LMP know it. You composed something, huh? 04 07 41 03 CMP I don't know, man. 04 07 41 05 LMP No one will believe us. Okay, Tom, we're set until 35 minutes - 35 seconds. Day 5 - Page 237 AS10_CM 04 12 09 07 LMP Yes_ but the Gemini she21 was a lot sturdier and stronger than. 04 12 09 10 CDR. To the walls - you can see the freaking walls. 04 12 09 15 CMP I never would have taken my helmet off in that thing. 04 12 09 16 CDR I mean you. What the hell was that gurgling noise? 04 12 09 25 LMP I don't know. But I'll tell you, that eerie music is what's bothering me. You know that - 04 12 09 28 CMP God damn, I heard it, too. 04 12 09 29 LMP You know that was funny. That's Just like something from outer space, really. Who's going to believe it? 04 12 09 34 CMP Nobody. Shall we tell them about it? 04 12 09 39 LMP I don't know. We ought to think about it some. 04 12 09 41 CMP Did you hear it, Tom? 04 12 09 42 LMP Yes, he heard it. 04 12 09 43 CDR Yes. 04 12 09 47 LMP Hell, I Just want to get out of this suit. Mission Transcripts: Apollo 10 •, June 1969, 506 pages •, June 1969, 264 pages •, 1,036 pages •, May 1969, 867 pages Related Links: • - Leads to others. Another reminder of space being a creepy place has been presented in the lost Apollo 10 tapes – the mission that circled over to the dark side of the Moon. The tapes contain strange ‘music’ that was received out of Earth’s signal reach. The mission happened in May just ahead of Apollo 11’s 1969 moon landing two months later. The recordings recovered from Apollo 10 were only declassified in 2008 and will now be played on the Science Channel’s Unexplained Files coming up later this month. So, what was strange about those recordings? Besides the fact that they contained a very musical dance of frequencies and noise, it was the fact that they could not have come from any manmade source, as there’s no radio signal on the far side of the Moon. This means also that astronauts can’t talk to Earth and are effectively alone in outer space for the duration of their time there. Outer Space Music Pt 1 of 2| NASA's Unexplained Files. Apollo 10: Astronauts Heard Unexplained Sound While Orbiting Far Side of the Moon, Report Says The crew debated telling officials about the 'outer space-type music' in 1969, according to declassified audio featured in the show 'NASA's Unexplained Files' on the Science Channel. CREDIT: The “music” transmission lasted for almost an hour, and had the crew talking about whether NASA needed to know at all what they had heard. 'It's unbelievable! You know?” they confess. Almost five decades later there is still no clue as to the source. When the three eventually got back, they opted not to tell NASA, which could be a smart move, seeing as the agency could have had them remanded into custody and kept from flying because of concerns for their mental state. The debate will rage on in the upcoming episode of ‘NASA’s Unexplained Files’, as scientists continue to discuss the more prominent theories: one possible one is that charged particles were interacting with a magnetic field, the way they did on Jupiter and Saturn. There’s of course one problem here: the Moon has no magnetic field or atmosphere of any kind. Time will tell. UPDATE Okay On the Music behind the Moon Apollo 10 Got the files! Reviewer: Margot.Yale - - February 22, 2016 Subject: 'Space Music' Audio If you're looking for the 'space music' audio, you want file 10-030702_5-OF-6, at about 44 minutes into that audio file is where it begins. You can find a much cleaner version of the audio on NASA's Apollo 10 Flight Journal. The specific audio file from that site is at about 2 minutes and 50 seconds into the clip. You can possibly hear a little of the 'space music' possibly coming out of one of the astronaut's headsets and being picked up by their mic. I just wanted to thank everyone for their input. Good and bad. I still have no idea yet what this is. I innocently raised it 12 tones and this is what appeared. I don't mean it to be 'scare-mongoring' its just to my mind (as a musician) it has definite patterns to the ear. Whether speech, asteroids, magnetic waves, I'm not qualified to say, but all I know is. It's an interesting pattern. JVD Important info - Please read: Speech patterns have been found in a radio signal released by NASA almost 3 years previously in 2004. Judge the sound for yourself, it is a very bizarre anomaly but very much worth investigating. Instructions: 1) Download and save the original WAV file from NASA/Cassini website. 2)Open an audio editor like Cool Edit or Sonar and raise the pitch/frequency of the file by 12 tones with the pitch shifter. And there it is, speech patterns. How can anyone explain this anomaly. Certainly NASA have no explanation for it after we presented the file to them for their opinion. SETI also doesn't know what make of it. What do you think? SOURCE: Related Links: • • - RT News • • FAIR USE NOTICE: This page contains copyrighted material the use of which has not been specifically authorized by the copyright owner. Pegasus Research Consortium distributes this material without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. We believe this constitutes a fair use of any such copyrighted material as provided for in 17 U.S.C § 107. If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner. ~ ~ Webpages © 2001-2016 Blue Knight Productions. Alkinoos Ioannidis, December 2008 Background information Born ( 1969-09-19) 19 September 1969 (age 48) Origin, Years active 1993–present (1993-present) Website Alkinoos Ioannidis (: Αλκίνοος Ιωαννίδης; born September 19, 1969) is a Greek-,,, and. He was born in on 19 September 1969. ![]() ![]() His artistic family, with a father and brother was a source of inspiration for him. He first wanted to study, but couldn't due to the lack of a drum teacher in Nicosia. Instead, he studied. For the first 20 years of his life, he lived in a Nicosia suburb. After his military service, he went off to to study. He also entered the, which he later gave up. He was more successful in his theatre studies where he played some major roles in well known such as. At the age of 23 he recorded his first album called Stin Agora Tou Kosmou (Greek: Στην Αγορά Του Κόσμου, In The World's Market) with lyrics and music written by Nikos Zoudiaris. This demo tape eventually reached the hands of a well known singer,. She instantly became fond of their music and Alkinoos' voice and helped them get a record deal. ![]() Alkinoos and Zoudiaris followed with another album called Opos Mistika Kai Isicha (Greek: Οπως Μυστικά Και Ήσυχα, As Secretly and Quietly). Both albums turned. From 1993 to 1997 he toured frequently in support of other artists, including one of the most important female figures of Greek music,. He also carried out one solo tour. Ioannidis rarely appears to give interviews or take part in television shows. His primary public appearance consists of concert tours that he gives every year in locations around Greece and. ![]() In 1997 his first self-penned album, O Dromos, O Hronos Kai O Ponos (Greek: Ο Δρόμος Ο Χρόνος Και Ο Πόνος, The Road, The Time and The Pain), was released to critical praise. The cover to was painted by his father. His subsequent albums have also had their covers painted by his father. In 1999 he released another self-penned album, Anemodiktis (Greek: Ανεμοδείκτης, Weather Vane). In 2000 he released a double-disc live album Ektos Topou kai Xronou (Greek: Εκτός τόπου και χρόνου, Out of Space and Time). In 2003, he released Oi Peripeties enos Proskiniti (Greek: Οι περιπέτειες ενός προσκυνητή, The Adventures of a Pilgrim). Five years after his last album “Neroponti”, Alkinoos returns to discography with a new album called “Mikri Valitsa”. Alkinoos Ioannidis & Yiorgos Kaloudis. Low prices on Alkinoos Ioannidis discography of music albums at CD Universe, with top rated service, Alkinoos Ioannidis songs, discography, biography, cover art pictures, sound samples, albums, etc. It was a popular and critical hit. In April 2006, he released an album of folk songs titled Pou Disin Os Anatolin (Greek:΄Πού Δύσην Ώς Άνατολήν, From dusk till dawn) with his longtime violinist Miltiadis Papastamou. On 9 March 2009, he released the album Neroponti (Greek: Νεροποντή, Downpour). Released in March 2012, Local Stranger is his 12th solo album and examines the “political and economic whirlwind” that has hit Greece in recent months. Discography • 1993 Stin Agora Tou Kosmou • 1995 Opos Mistika Kai Isicha • 1997 O Dromos, O Hronos Kai O Ponos • 1999 Anemodiktis • 2000 Ektos Topou kai Xronou (Live) • 2003 Oi Peripeties enos Proskiniti • 2006 Pou Disin Os Anatolin • 2009 Neroponti • 2011 Gyalinos Kosmos (Live) • 2012 Local Stranger (This is a best of album from Alkinoos on Wrasse Records) • 2014 Mikri Valitsa - Small Suitcase External links Official • Unofficial •. ![]() DOWNLOAD LINK: Join Official Website: www.djbardopoulos.net Like on FACEBOOK:www.facebook.com/djbardopoulospage Add on FACEBOOK: www.facebook.com/djbardopoulos Follow on TWITTER: www.twitter.com/djbardopoulos Listen on SOUNDCLOUD: www.soundcloud.com/djbardopoulos Listen Official Releases on Beatport: www.beatport.com/search?query=dj+bardopoulos DJ Bardopoulos (Thanos Bardopoulos) was born on 13 September on the island of Rhodes where he lives to this day. He studied electronics, but his passion for the music he won too early. At the age of 9 he began to show an interest in music and a few years later he acquired an amateur radio station as it was his big dream. A few years later begins to deal professionally with the radio playing in several radio stations starting from the year 2000 until today, some of the radio station: RODOS FM (RHODES) -9.59 FM (RHODES)-BEST FM (RHODES)-FM 1 (RHODES)-RADIO MELODY(RHODES)-MUSIC BOX (CRETE)-RADIO MELODIA (LIMNOS)-MAX FM (CHALKIDIKI)-STAR FM (PELOPONNISOS). Working professionally as a Dj since 2000 and he played in some of the best clubs in Rhodes and Greece, some of them are: ANGEL (RHODES)-DESTIL (RHODES)-CREAM (RHODES)-AMPHITHEATRE (RHODES)-ANTIKA (RHODES)-L.A (RHODES)-SHIMPAS(RHODES)- LA PLAZ (RHODES)-POP CORN (SAMOS)-AVANTAGE (SAMOS) -- ELLINIKON (AEGINA)-CORALLI (SERIFOS)-BOSSA NOSTRA (PELOPONNESE)-BED (CORFU) X-PLODE (KALYMNOS)-FETIX (LEROS)-DECK (IKARIA)-YARD(CORFU)-CELESTE(IKARIA) and many more! Started the remix production in 1999 and has officially begun the discography with his own productions on digital download on some of the best pages of the press such as Beatport and junodownload. Dj Bardopoulos (Θάνος Μπαρδόπουλος) γεννήθηκε στις 13 Σεπτεμβρίου στο νησί της Ρόδου όπου ζει μέχρι και σήμερα. Έχει σπουδάσει ηλεκτρονικά αλλά το πάθος του για τη μουσική τον κατέκτησε από πολύ νωρίς. Σε ηλικία μόλις 9 χρόνων άρχισε να δείχνει το ενδιαφέρον του για την μουσική και λίγα χρόνια αργότερα απέκτησε το δικό του (ερασιτεχνικό) ραδιοφωνικό σταθμό, καθώς ήταν το μεγάλο του όνειρο. Λίγα χρόνια αργότερα αρχίζει να ασχολείται επαγγελματικά με το ραδιόφωνο παίζοντας σε αρκετούς ραδιοφωνικούς σταθμούς ξεκινώντας από το 2000 μέχρι και σήμερα, μερικοί από αυτούς: RODOS FM (ΡΟΔΟΣ)- 9,59 FM (ΡΟΔΟΣ)-BEST FM (ΡΟΔΟΣ)-FM 1 (ΡΟΔΟΣ)-RADIO MELODY(ΡΟΔΟΣ)-MUSIC BOX (ΚΡΗΤΗ) -RADIO MELODY (ΛΗΜΝΟΣ)-MAX FM (ΧΑΛΚΙΔΙΚΗ)-STAR FM (Πελοπόννησος). Εργάζεται επαγγελματικά ως Dj από το 2000 μέχρι και σήμερα και έχει παίξει σε μερικά από τα καλύτερα clubs της Ρόδου και της Ελλάδας, κάποια από αυτά είναι: ANGEL (ΡΟΔΟΣ)-DESTIL (ΡΟΔΟΣ)-CREAM (ΡΟΔΟΣ)-AMPHITHEATRE (ΡΟΔΟΣ)-ANTIKA (ΡΟΔΟΣ)-L.A(ΡΟΔΟΣ)-SHIMPAS(ΡΟΔΟΣ)-LA PLAZ (ΡΟΔΟΣ)- POP CORN (ΣΑΜΟΣ)-AVANTAGE(ΣΑΜΟΣ)-ΕLLINIKON (ΑΙΓΙΝΑ)-CORALLI (ΣΕΡΙΦΟΣ)-BOSSA NOSTRA (ΠΕΛΟΠΟΝΝΗΣΟΣ)-BED (ΚΕΡΚΥΡΑ)-Χ PLODE (ΚΑΛΥΜΝΟΣ)-FETIX (ΛΕΡΟΣ)-DECK (ΙΚΑΡΙΑ)-YARD(ΚΕΡΚΥΡΑ)-CELESTE(ΙΚΑΡΙΑ) και πολλά άλλα! Ξεκίνησε την παραγωγή των remix το 1999 και έχει αρχίσει επίσημα την δισκογραφία με δικές του παραγωγές σε digital download σε ορισμένες από τις καλύτερες σελίδες του τύπου όπως Beatport και junodownload. For other uses, see. Third World Origin, Jamaica Genres,,,, Years active 1973 ( 1973)–present Labels,,,, Third World Music Group Associated acts Website Members Stephen 'Cat' Coore Richard Daley Tony 'Ruption' Williams Maurice Gregory Norris 'Noreiga' Webb AJ Brown Past members Irvin 'Carrot' Jarrett Carl Barovier Milton 'Prilly' Hamilton (deceased) Willie Stewart Rupert 'Gypsy' Bent III Leroy 'Baarbe' Romans Mikel Wallace Herbie Harris Robbie Lynn Third World is a Jamaican band formed in 1973. Their sound is influenced by soul, and. Although it has undergone several line-up changes, Stephen 'Cat' Coore and Richard Daley have been constant members. ![]() Third World - All the Way Strong - Amazon.com Music. All The Way Strong Lyrics: There isn't a simple way / To tell you how I feel for you / I hope this is just a game you're playing / 'Cause I don't want us to be. ![]() • ^ Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books,, pp. • Barow, Steve & Dalton, Peter (2004) The Rough Guide to Reggae, 3rd edn, Rough Guides,, p. • Hickling, Frederick W. (2012), Psychohistoriography, Jessica Kingsley,, pp. • Sandler, Adam (1997) ', ', 16 April 1997, retrieved 30 March 2017. • ^ Darling, Cary (1982) ',, 3 April 1982, pp. • Bishop, Pete (1985) ',, 16 April 1985, p. B10, retrieved 8 September 2012. • ^ Griffin, John (1982) ',, 2 July 1982, p. D1, retrieved 8 September 2012. • ^ Holden, Stephen (1982) ',, 28 March 1982, retrieved 8 September 2012. • ^ McAdams, Janine (1992) ',, 25 July 1992, p. 15, retrieved 8 September 2012. • Robbie Vincent Saturday Show, Radio London, 5 May 1983 • Telstar Records, 'In The Groove' Part Two, UK Cat Number STAR 2228-B • CBS Records, 1985, UK Cat Number TA4993 • Island Records (Mango) 12IS 219, 1985 • Cooke, Mel (2008) ',, 20 October 2008, retrieved 8 September 2012. • Walters, Basil (2013) ',, 26 August 2013. Retrieved 31 August 2013. • Campbell, Howard (2014), ',, 9 February 2014. Retrieved 15 February 2014. • ',, 16 May 2014. Retrieved 19 May 2014. • van Vleck, Philip (2003) ',, 31 May 2003, p. 60, retrieved 8 September 2012. • Wartofsky, Alona (1990) 'Third World, From Reggae to Rap',, 16 April 1990, p. • Bordowitz, Hank (2004) Noise of the World: Non-Western Musicians in Their Own Words, Soft Skull Press,, p. • Saunders, Michael (1988) 'Third World Turns from Reggae to Pop',, 4 August 1988, p. • ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. External links [ ] •. Alicia Keys' official live video for 'Diary' ft. And Jermaine Paul. Click to listen to Alicia Keys on Spotify: As featured on Unplugged. Click to buy the track or album via iTunes: Google Play: Amazon: More from Alicia Keys Girl On Fire: No One: If I Ain't Got You: Follow Alicia Keys Website: Facebook: Tumblr: Twitter: Instagram: Subscribe to Alicia Keys on YouTube: More great 00s videos here: --------- Lyrics: Lay your head on my pillow Here you can be yourself No one has to know what you are feelin' No one but me and you I won't tell your secrets Your secrets are safe with me I will keep your secrets (yes, I will) Just think of me as the pages in your diary. ![]() ![]() ![]() Alicia Keys - Alicia Keys - Mtv Unplugged - Amazon.com Music. The Diary Of Alicia Keys Alicia Keys. 4.2 out of 5 stars 707. Watch Alicia Keys - Diary (2005)-Unplugged by Olato on Dailymotion here. ![]() ![]() + --------------------------------------------------------------------- +| Ultimate Guitar Tabs Archive - your #1 source for tabs!|||||| Over 1,000,000 guitar, guitar pro and bass tabs! Also lessons|| news and guitar forums!| + --------------------------------------------------------------------- + Hi you all. So i don't know if the tabs are ok but i hope you wiil enjoy.=) All Americam Rjects. Great band.great music =) email me if you want to tell me things about the tabs: [email protected] [Intro] Am G F G [Verse] Am Your subtleties F They strangle me Dm Em I can't explain myself at all. Am And all that wants F And all that needs Dm Em All I don't want to need at all. [PreChorus] F The walls start breathing C My minds unweaving C Maybe it's best you leave me alone. F C A weight is lifted Dm On this evening Dm I give the final blow. [Chorus] C F When darkness turns to light, Am It ends tonight G It ends tonight. [Verse] Am A falling star F Least I fall alone. The All-American Rejects - It Ends Tonight (Bass) bass (ver 2) by The All-American Rejects with free online tab player, speed control and loop. Correct version. Added on June 5, 2006. It Ends Tonight Chords by The All American Rejects Learn to play guitar by chord and tabs and use our crd diagrams, transpose the key and more. Lyrics to 'It Ends Tonight' song by The All-American Rejects: Your subtleties They strangle me I can't explain myself at all. And all the wants And all the ne. Your subtleties. They strangle me. I can't explain myself at all. And all that wants. And all that needs. All I don't want to need at all. The walls start breathing. My mind's un-weaving. Maybe it's best you leave me alone. A weight is lifted. On this evening. I give the final blow. When darkness turns to light. It ends tonight. Mar 25, 2007 all-american rejects' it ends tonight in their album 'move along'. Dm Em I can't explain what you can't explain. Am F Your finding things that you didn't know Dm Em I look at you with such disdain [Pre Chorus] F The walls start breathing C My minds unweaving C Maybe it's best you leave me alone. F C A weight is lifted Dm On this evening Dm I give the final blow. [Chorus] C F When darkness turns to light, Am It ends tonight G It ends tonight. C F Just a little insight will make this right Am It's too late to fight G It ends tonight, F It ends tonight. [Bridge] Am G Now I'm on my own side Dm F It's better than being on your side Am G Dm It's my fault when you're blind F Am It's better that I see it through your eyes F Dm All these thoughts locked inside G Now you're the first to know [Chorus] x2 C F When darkness turns to light, Am It ends tonight G It ends tonight. C F Just a little insight will make this right Am It's too late to fight G It ends tonight, F It ends tonight. [Ending] With Chord C. Cancel Hi you all. So i don't know if the tabs are ok but i hope you wiil enjoy.=) All Americam Rjects. Great band.great music =) email me if you want to tell me things about the tabs: [email protected] [Intro] Am G F G [Verse] Am Your subtleties F They strangle me Dm Em I can't explain myself at all. Am And all that wants F And all that needs Dm Em All I don't want to need at all. [PreChorus] F The walls start breathing C My minds unweaving C Maybe it's best you leave me alone. F C A weight is lifted Dm On this evening Dm I give the final blow. [Chorus] C F When darkness turns to light, Am It ends tonight G It ends tonight. [Verse] Am A falling star F Least I fall alone. ![]() ![]() Dm Em I can't explain what you can't explain. Am F Your finding things that you didn't know Dm Em I look at you with such disdain [Pre Chorus] F The walls start breathing C My minds unweaving C Maybe it's best you leave me alone. F C A weight is lifted Dm On this evening Dm I give the final blow. [Chorus] C F When darkness turns to light, Am It ends tonight G It ends tonight. ![]() C F Just a little insight will make this right Am It's too late to fight G It ends tonight, F It ends tonight. [Bridge] Am G Now I'm on my own side Dm F It's better than being on your side Am G Dm It's my fault when you're blind F Am It's better that I see it through your eyes F Dm All these thoughts locked inside G Now you're the first to know [Chorus] x2 C F When darkness turns to light, Am It ends tonight G It ends tonight. C F Just a little insight will make this right Am It's too late to fight G It ends tonight, F It ends tonight. [Ending] With Chord C. Key Hi you all. So i don't know if the tabs are ok but i hope you wiil enjoy.=) All Americam Rjects. Great band.great music =) email me if you want to tell me things about the tabs: [email protected] [Intro] Am G F G [Verse] Am Your subtleties F They strangle me Dm Em I can't explain myself at all. Am And all that wants F And all that needs Dm Em All I don't want to need at all. [PreChorus] F The walls start breathing C My minds unweaving C Maybe it's best you leave me alone. F C A weight is lifted Dm On this evening Dm I give the final blow. [Chorus] C F When darkness turns to light, Am It ends tonight G It ends tonight. [Verse] Am A falling star F Least I fall alone. Dm Em I can't explain what you can't explain. Am F Your finding things that you didn't know Dm Em I look at you with such disdain [Pre Chorus] F The walls start breathing C My minds unweaving C Maybe it's best you leave me alone. F C A weight is lifted Dm On this evening Dm I give the final blow. [Chorus] C F When darkness turns to light, Am It ends tonight G It ends tonight. C F Just a little insight will make this right Am It's too late to fight G It ends tonight, F It ends tonight. [Bridge] Am G Now I'm on my own side Dm F It's better than being on your side Am G Dm It's my fault when you're blind F Am It's better that I see it through your eyes F Dm All these thoughts locked inside G Now you're the first to know [Chorus] x2 C F When darkness turns to light, Am It ends tonight G It ends tonight. C F Just a little insight will make this right Am It's too late to fight G It ends tonight, F It ends tonight. [Ending] With Chord C. You're not coming back. And it's finally hit me all at once. All at once I've started counting teardrops. And at least a million fell. My eyes began to swell. And all my dreams were shattered all at once. Ever since I met you. You're the only love I've known. And I can't forget you. Though I must face it all alone. All at once I'm drifting on a lonely sea. Wishing you'd come back to me. ![]() Download ALL AT ONCE by WHITNEY HOUSTON free. #1 rated music site. 6.5 Million songs. Get lyrics ♫ music videos for your iPhone®. Kim Burrell - I Believe In You And Me - Live Bet Honors Whitney Houston Tribute - Feb 1 2010. Lyrics to 'All At Once' by Whitney Houston. All at once / I finally took a moment / And I'm realizing that / You're not coming back / And it finally hit me /. And that's all that matters now. All at once I'm drifting on a lonely sea. Holding on to memories. And it's hurt me more than you know. So much more than it shows. ![]() I looked around and found that you were. With another love. In someone else's arms. And all my dreams were shattered all at once. All at once the smile that used to greet me. Brightened someone else's day. She took your smile away. And left me with just memories all at once. Ever since I met you. You're the only love I've known. And I can't forget you. Though I must face it all alone. All at once I'm drifting on a lonely sea. Wishing you'd come back to me. And that's all that matters now. All at once I'm drifting on a lonely sea. Holding on to memories. And it's hurt me more than you know. ![]() ![]() So much more than it shows. All at once I'm drifting on a lonely sea Wishing you'd come back to me. And it's hurt me more than you know. So much more than it shows. And that's all that matters now. All at once I'm drifting on a lonely sea. Wishing you'd come back to me. All At Once tab (version 1) by Whitney Houston at GuitareTab.com. 'All at Once' is a song written by Michael Masser and Jeffrey Osborne and recorded by Whitney Houston. It was released as a single in Japan and several European. ![]() And it's hurt me more than you know. • ' Released: January 11, 1985 • ' Released: February 22, 1985 • ' Released: March 24, 1985 • ' Released: August 13, 1985 • ' Released: February 15, 1986 • ' Released: March 18, 1986 Whitney Houston is the debut studio album by American contemporary R&B and pop singer. It was released on February 14, 1985,. The album initially had a slow commercial response, but began getting more popular in the summer of 1985. It eventually topped the for 14 weeks in 1986, generating three number-one singles — ', ' and 'Greatest Love of All' (a cover of ', originally recorded in 1977 by ) — on the chart, which made it both the first debut album and the first album by a solo female artist to produce three number-one singles. The album topped the albums charts in many countries, including Canada, Australia, Norway and Sweden, peaking at number 2 in the United Kingdom, Germany, and Switzerland. The album was certified for shipments of 10 million units or more on March 16, 1999, and later 13× platinum by the on July 29, 1999, making it one of the. It has sold over 22 million copies worldwide. In 1986, at the, Whitney Houston received four nominations; including and won one, for 'Saving All My Love for You'. For of 1987, the album earned one nomination for for 'Greatest Love of All'. In 2003, the album was ranked number 254 on magazine's list of. In honor of its 25th anniversary, the album was reissued as Whitney Houston – The Deluxe Anniversary Edition on January 26, 2010, an expanded edition with five bonus tracks including the a cappella version of 'How Will I Know' and the original 12-inch remixes, a booklet tracking the history of the original album, along with a DVD of live performances and interviews by Whitney Houston and Clive Davis. Produced and recorded duets with Houston for the album. After seeing Houston perform in a New York City nightclub, believed the singer had the potential to crossover and be the next big superstar. He signed her in 1983 and the two began work on her debut album. Initially Davis had a hard time finding songs for her. Even after elaborate showcases in New York and Los Angeles, many producers turned down the chance to work with her. It took a year and a half for Jerry Griffith, then Arista's A&R chief and the one who had recommended Whitney to Davis, and Davis to amass suitable songs for the album. Finally the songwriter-producer offered to produce '., who had emerged from the shadow of his younger brother, produced three songs. Came in to revise and then produce '. And covered the pop side of the tracks, producing four of his own compositions, including ' and 'Greatest Love of All', which had originally been recorded in 1977 by as ' and was the main theme of the biopic ' in the same year. After two years of recording, the album was ready for release. Budgeted at $200,000, it finally cost almost $400,000. Critical reception [ ] Professional ratings Review scores Source Rating A- 7/10 C Whitney Houston was well received by music critics upon its release. [ ] of, praised the album and especially her singing style, stating, 'along with an appealing romantic innocence, she projects the commanding dignity and elegance of someone far more mature.' Liam Lacey of commented that although some 'arrangements frequently border on formulaic but such ballads as, Greatest Love Of All, and Hold Me are some of the loveliest pop singing on vinyl since the glory days of.' Lacey added, 'Houston has a silky, rich, vibrant voice that moves between steely edges, or curls sensuously around the notes.' Complimented Houston on her excellent vocal ability, writing, 'neither the frequently listless arrangements nor the sometimes mediocre material of this debut LP hides the fact that Houston is a singer with enormous power and potential' on their reviews for 1985's releases. Don Shewey of described her as 'one of the most exciting new voices in years' and stated that: 'Because she has a technically polished voice like 's, [.] her interpretive approach is what sets her apart' and 'Whitney Houston is obviously headed for stardom, and if nothing else, her album is an exciting preview of coming attractions.' But he expressed a little disappointment about undistinguished pop-soul tunes, commenting 'many of the songs here are so featureless they could be sung by anyone. They make what could have been a stunning debut merely promising.' In his consumer guide for, complimented Houston's 'sweet, statuesque voice', but called the songs 'schlock' and believed 'only one of the four producers puts any zip in—Narada Michael Walden, who goes one for one.' Contemporary reviews have paid attention to the significance and the value of it in music history. [ ] from defined Whitney Houston as 'the foundation of diva-pop' and stated that certainly, the ballads such as 'Greatest Love of All' and 'Saving All My Love for You', provided 'the blueprint for decades of divas'. However, he gave higher marks to the lighter tracks like 'How Will I Know' and 'Thinking About You', commenting these tracks 'are what really impresses some 20-plus years on' and 'turns the album into a fully rounded record, the rare debut that manages to telegraph every aspect of an artist's career in a mere ten songs.' Brad Wete, on a feature article to celebrate for magazine's 15th anniversary in September 2008, wrote 'never before has an African-American woman earned such crossover appeal so early in her career. [.] [Houston] had an explosive solo debut' and commented 'Whitney's prodigious pop set [.] was a fresh serving of precocious talent compared to 1985's mildly flavored R&B buffet.' Allison Stewart from stated that the album 'provided a blueprint for the pop/dance/R&B-melding careers of Mariah Carey and others, and introduced the world to 'The Voice', an octave-spanning, gravity-defying melismatic marvel.' In (2004), music journalist gave the album three out of five stars and stated, 'Although utterly calculating, Whitney Houston does have its moments, particularly when Houston leans toward R&B, as on 'You Give Good Love.' ' Accolades [ ]. • Creed • Masser Masser 6:00 Total length: 47:23 Deluxe 25th Anniversary Edition (Bonus tracks) No. Title Remixer(s) Length 11. 'Thinking About You' (12' dance remix) Bruce Forest 7:16 12. 'Someone for Me' (12' dance remix) Alan 'The Judge' Coulthard 7:24 13. 'How Will I Know' (a cappella) — 3:59 14. 'How Will I Know' (12' dance remix) 6:32 15. 'Greatest Love of All' (Recorded live at, New York, on March 9, 1990, during a gala concert celebrating ) 7:06 Deluxe 25th Anniversary Edition (Bonus DVD) No. Title Note Length 1. 'Conversations with Whitney Houston and Clive Davis' — 9:30 2. ' Houston's premiere TV performance from on June 23, 1983 4:45 3. ' Live from the Arista Records 10th Anniversary celebration on December 1, 1984 4:52 4. 'You Give Good Love' Live from the 1st Annual Soul Train Music Awards on March 23, 1987 4:17 5. 'You Give Good Love' Promo music video 4:07 6. 'Saving All My Love for You' Promo music video 3:56 7. 'How Will I Know' Promo music video 4:31 8. 'Greatest Love of All' Promo music video 4:52 Japanese edition No. Title Writer(s) Producer(s) Length 1. • - • - duet vocals • - duet vocals • - saxophone • John Barnes - - • - keyboards • - keyboards • Yvonne Lewis - keyboards • - keyboards • - bass • - bass • - • - • - synthesizer • - • - drums • J.T. Lewis - drums • - drums • - drums • - background vocals • Julia Tillman Waters - background vocals • Maxine Willard Waters - background vocals • - background vocals • Yogi Lee - background vocals • Mary Canty - background vocals • Deborah Thomas - background vocals • - • - guitar • Tim May - guitar • Ira Siegel - guitar • - guitar • • Jermaine Jackson - producer, background vocals • Michael Masser - producer • - executive producer • Michael Barbiero - mixing, engineer • Michael Mancini - engineer • Michael O'Reilly - mixing, engineer • Russell Schmitt - engineer • - mixing • Gene Page Jr. - arrangements • Kashif - arrangements, producer • Narada Michael Walden - arrangements, producer • Donn Davenport - art direction • - photographer • Tiagi Lambert - fashion stylist • Giovanne De Maura - gown • Norma Kamali - bathing suit • Quietfire - makeup • Brenda Gorsky - coordinator • Jeffrey Woodly - hair stylist Charts [ ]. Weekly charts [ ] Chart (1985–86) Peak position Australia () 1 Austrian Albums () 3 Canada Top Albums/CDs ( ) 1 French Albums () 13 Finnish Albums () 2 German Albums () 2 Italian Albums () 11 Japanese Albums () 2 Japanese Albums Chart () 4 Japanese Albums Chart () 6 New Zealand Albums () 3 Norwegian Albums () 1 Swedish Albums () 1 Swiss Albums () 2 UK Albums () 2 US 1 US () 1 Chart (2012) Peak position 44 The Deluxe Anniversary Edition 14 71 US 9 US () 4 Chart (2012) Peak position UK R&B Albums () 18 Year-end charts [ ] Chart (1985) Position U.S. Pop Albums 29 U.S. 4 Chart (1986) Position 1 Austrian Albums Chart 17 Canadian Albums Chart 1 Japanese Albums Chart 17 Swiss Albums Chart 1 UK Albums Chart 5 U.S. Pop Albums 1 U.S. 1 Chart (1987) Position Italian Albums Chart 43 U.S. • ^ Shewey, Don... Retrieved on February 13, 2012. • ^ (August 31, 2009)... Retrieved October 17, 2010. • ^ Paul Grein (July 5, 1986)... Retrieved June 17, 2010. • ^ Paul Grein (May 17, 1986)... Retrieved June 17, 2010. March 8, 1986. Retrieved June 1, 2010. St Ives, New South Wales: Australian Chart Book.. NOTE: Used for Australian Singles and Albums charting until created their own in mid-1988. Retrieved June 1, 2010. Retrieved June 1, 2010. March 1, 1986. Archived from on August 25, 2011. Retrieved June 1, 2010. March 31, 1986. Retrieved June 1, 2010. Retrieved June 1, 2010. • ^ Larry Flick (March 27, 1999)... Retrieved June 18, 2010. July 29, 1999. Retrieved June 18, 2010. Retrieved 6 October 2015. September 28, 2013. Retrieved June 18, 2017. • ^ Booker, Bobbi (February 14, 2012)... Retrieved June 18, 2017. January 27, 1986. Retrieved January 14, 2010. March 17, 1986. Retrieved January 14, 2010. February 24, 1987. Retrieved June 18, 2010. Retrieved June 17, 2010. January 26, 2010. Retrieved June 18, 2010. • ^ Richard Corliss, Elizabeth L. Bland and Elaine Dutka (July 13, 1987)... Retrieved June 18, 2010. • ^ Erlewine, Stephen Thomas... Retrieved on August 7, 2009. Entertainment Weekly. January 20, 2010. • ^ Columnist... Retrieved on August 7, 2009. Note: Original star ratings represented by (*) are not reprinted at the url page. • • Columnist. December 1999. • ^ Nathan Brackett, Christian David Hoard, ed. (November 2, 2004).. Simon & Schuster. • ^ (April 30, 1985)... Retrieved March 11, 2012. • Stephen Holden (May 12, 1985)... Retrieved June 17, 2010. • Liam Lacey (March 7, 1985)... Archived from on September 23, 2009. Retrieved June 17, 2010. • Wete, Brad. September 2008. • Hilburn, Robert. Los Angeles Times: 60. January 19, 1986. • 'Critics Top-10 Album Poll: Activism and Americanism'. LA Times, Dec 29, 1985. The Rock and Roll Hall of Fame and Museum. Archived from on April 6, 2008. Retrieved April 8, 2008. •, Q, January 2002, retrieved January 15, 2010 • Billy Johnson, Jr (June 25, 2010)... Archived from on October 13, 2011. Retrieved October 18, 2010. New York: Grammy Awards. Retrieved October 26, 2013. March 30, 1985. Retrieved June 17, 2010. June 22, 1985. Retrieved June 18, 2010. August 31, 1985. Retrieved June 17, 2010. March 8, 1986. Retrieved June 17, 2010. • Paul Grein (March 8, 1986)... Retrieved June 17, 2010. • DeKnock, Jan. 'It Was A Short Run For Mr. Mister's 'Double' Chicago Tribune. Mar 7, 1986, Page 48. June 28, 1986. Retrieved June 18, 2010. • Kolson, Ann. 'At The Top Whitney Houston, Groomed For Stardom, Swiftly Ascended To Startling Heights'. Philadelphia Inquirer. August 27, 1986. December 27, 1986. Retrieved June 28, 2010. December 27, 1986. Retrieved June 28, 2010. December 27, 1986. Retrieved June 28, 2010. Archived from on January 19, 2013. Retrieved June 18, 2010. Enter Whitney Houston in the search field and then press Enter. Retrieved June 18, 2010. December 27, 1986. Retrieved June 18, 2010. August 30, 1986. Retrieved June 18, 2010. Archived from on May 28, 2008. Retrieved May 28, 2008. Retrieved June 1, 2010. Retrieved June 1, 2010. • Gary Trust (August 30, 2009)... Retrieved June 15, 2010. February 26, 1986. Retrieved April 24, 2010. February 25, 1986. Retrieved June 19, 2010. • ^ Clive Davis (January 18, 1986)... Retrieved June 19, 2010. January 25, 1986. Retrieved June 18, 2010. • Keith Tuber (August 1988)... Retrieved June 19, 2010. • ^ Geoff Mayfiled (March 4, 2000)... Retrieved June 19, 2010. May 25, 1985. Retrieved June 17, 2010. July 27, 1985. Retrieved June 17, 2010. October 26, 1985. Retrieved June 17, 2010. December 21, 1985. Retrieved June 18, 2010. December 14, 1985. Retrieved June 18, 2010. December 7, 1985. Retrieved June 18, 2010. February 15, 1986. Retrieved June 17, 2010. March 8, 1986. Retrieved June 17, 2010. • Adam White (March 9, 1985)... Retrieved March 14, 2011. May 30, 2005. Retrieved March 15, 2011. Johnson Publishing Company. June 3, 1985.. Retrieved March 15, 2011. Retrieved January 8, 2010. Retrieved January 8, 2010. September 23, 1985. Retrieved January 8, 2010. February 17, 1986. Retrieved January 14, 2010. January 20, 1986. Retrieved January 14, 2010. March 17, 1986. Retrieved January 16, 2010. Retrieved October 30, 2009. Retrieved October 30, 2009. • (in German). Retrieved April 23, 2017. Retrieved Jume 6, 2017. Retrieved April 23, 2017. • ' (in Finnish).. Retrieved April 23, 2017. • (in German). Retrieved April 23, 2017. Retrieved April 23, 2017. • (in Japanese).. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved April 23, 2017. Retrieved February 21, 2012. • (in Spanish).. February 12, 2012. Archived from on November 10, 2011. Retrieved December 9, 2012. Note: Reader must define search parameters as 'Ranking Semanal Pop' and '. Retrieved March 2, 2012. Retrieved 2015-05-07. Archived from on December 11, 2007. Retrieved August 6, 2009. September 7, 1985. Retrieved September 10, 2009. Retrieved May 30, 2010. • • (in Japanese). Retrieved August 29, 2011. Retrieved May 29, 2011. Retrieved August 29, 2011. • (in Italian). Retrieved October 3, 2011. • • • ^ Nick Robertshaw (August 9, 1986)... Retrieved August 21, 2010. • (in German). Enter Whitney Houston in the field Interpret. Enter Whitney Houston in the field Titel. Select album in the field Format. Click Suchen • (in French). Select WHITNEY HOUSTON and click OK • ^ (in Finnish).. • (in German).. • (in Japanese).. Select 1986年月 on the drop-down menu • (in Dutch).. 17 July 2011. Archived from on 2011-07-24. • (in Norwegian). • (PDF) (in Swedish).. IFPI Switzerland. If necessary, click Advanced, then click Format, then select Album, then click SEARCH Further reading [ ]. Vocaloid trivia quiz Who was the first Vocaloid? Hatsune Miku Leon Meiko Sweet Ann Vocaloid forum Get the forum going! Vocaloid top fans All creators own the copyright of their contributions, All rights reserved. Developed by drinking too much redbull.|||| Stuffpoint is in no way endorsed by or affiliated with any other site. Amazon.com is not a sponsor of this program. Amazon, Amazon.com, the Amazon.com logo, and the Amazon Gift Cards logo are trademarks of Amazon.com, Inc. Or its affiliates. For complete gift card terms and conditions, see Stuffpoint is in no way endorsed by or affiliated with MindArk or MindArk's affiliates. PED are copyright and trademarks of Mindark PE AB. All rights reserved. ![]() ![]() Alice Human Sacrifice is a song for older lovers of Alice in Wonderland. (From CreepyPasta Wiki) The Alice Killings remain, to this day, one of the strangest and. 05:44, March 3, 2013 Alice Human Sacrifice, also known as Hitobashira Arisu or Alice of Human Sacrifice, is a Japanese Vocaloid song composed by Yagami-P. From nicovideo original song by yugami-P translation by Ayase. Vocaloid - Alice Human Sacrifice. Topics Vocaloid, Alice Human Sacrifice, Japan. Download 6 Files download 4 Original. Watch 『人柱アリス』 (Alice Human Sacrifice) - English Subbed Original Vocaloid version, a Vocaloid video on Stuffpoint. I couldn't find a subbed original. ![]() ![]() Still can't find it? Time to google it! ![]() GOT THE PERMISSION. A/N: About those tags, Adventure/Dark is close, but Drama would be far more accurate. Inspired by vocaloid song 'Alice Human Sacrifice' While on a 'castle sleepover' in wait for this year's Summer Sun celebration, the girls find themselves trapped in a strange dream world of someone else's design. Can they find their way out of this Nightmare without losing themselves to its dark influence? For that matter, can they even make it out alive? ~~ The approval from ORIGINAL author: Her e-mail is there, visible, so if needed, contact her. Suzy Kingsley is her Facebook name. NOW READ THIS AWESOME PIECE OF WRITING. ![]() As Mayor-elect Keisha Lance Bottoms continues transitioning to her new role at City Hall, the runner up in the race continues to challenge the results. All As One performing their cover of Trey Songz hit, Bottoms Up, at the Woodmen Building August 19, 2011. All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. 10 reviews of Bottoms Up 'This is our favorite place to do da dansing. Click Prompt for each website once each day or Prompt for each website one time only. Hey who's coming with me, to kick a hole in the sky? / I love the whiskey, let's drink that shit til it's dry. / So grab a Jim Beam, JD, whatever you need. / Have a shot from the bottle, doesn't matter to me. / 'Nother round, fill 'er up, hammer down, grab a cup, bottoms up! / This is what it's all about, no one can slow us down. Smart One 3.1 All-In-One - 100% Certified Organic Cotton Have you been looking high and low for the perfect cloth diaper? Well, search no more! The Smart Bottoms 3.1 All-In-One has it all: • 100% Certified Organic Cotton - Your child's skin will stay safe and free of harmful chemicals. • Super Absorbent - Attached insert offers 10 layers of protection. • 4 Rise Settings - More adjustability means a better fit! Designed to fit babies 8-35 lbs. ![]() • Trim - Will fit under most clothes--even jeans! • Quick Drying - Innovative design means this diaper will dry in one cycle on warm in most machines. • Made in the USA - Smart Bottoms is commited to manufacturing in the United States and promotes fair labor practices. Use and Care Prep: The 100% certified organic cotton in Smart Bottoms diapers has been minimally processed, which means there are still some natural oils in the fabric. It is recommended you wash your diapers 4-5 times before use to help remove some of the natural oils. ![]() Diapers will reach their maximum absorbency around 8-9 washes. Directions: Adjust the rise snaps and place the diaper under your baby. Fold the attached insert to fit your baby's needs, then pull the diaper up through the legs and fasten the waist and hip snaps. Remove diaper when wet or soiled and store dirty diapers in a dry pail. Wash Instructions: Shake solids into the toilet before placing diaper in the wash. ![]() Rinse with cold water. Do NOT use the sanitize cycle. Run an extra rinse. Dry on warm or line dry. Do not use fabric softener or diaper creams. Proudly made in the USA. This diaper is so cute. The fit works, but is not as good for us as some other brands. I do like the wider leg elastics. This diaper takes a long time to prep. Seems like all natural fiber diapers say you need to wash several times before using, but work ok after just a couple washes. I tried this after 4 washes and got a big leak out the leg (still repelling). Now after several more washes it's fully prepped and works well on my light/moderate wetter, though I suspect this would not be enough absorbency for heavier wetters. My youngest child is 6 and in K. He writes letters from the bottom to the top, despite being instructed otherwise. He writes very neatly. His teacher says he is the only one is class still doing this. His reading is on target and he shows no sign of being LD in any other way. His older LD brother did the same and it caused lots of problems later on, especially with differentiating between b and d ect. Through therapy, we got the essential ones corrected but he still makes his f from the bottom f, very fluently so I have let it alone. So should I be concerned with the younger one and if so, what should I do. Would doing Handwriting Without Tears over the summer help? To be the devil's advocate, I have a sixth grade student who was not identified until about April of 4th grade. He is now functioning very close to grade level. His IQ is in the very low 100's (I say this just to make clear he is not gifted). He is strong in math, solidly at grade level on our very aggressive CA math standards that teach prealgebra to 6th grade and many concepts I never had until 7-8th grade (you know, back when schools were better, according to many of our detractors). He forms all letters from bottom up. This habit was so well established I saw no point to trying to break it at age 10. His writing is neat and he is fast enough. So what would you think about K who does this? He has been taught correctly at school but it doesn't stick. My LD son did the same thing. Would you try Handwriting without Tears? As Linda says, I hardly need another therapy program. So I don't want to do it, if it isn't necessary. I don't see any other signs of LD in my K. He can sound out any one syllable word with basic code in it and knows some advanced code. He could tell me the sounds that sh and th. And yesterday he told me pink was spelled pinck. When I told I told him, it was pink, he said but usually 'k' at the end of the word is 'ck'. I am amazed by how a normal kid puts all this together!! The handwriting issues appear to be inherited--no one except me in my family seems to hold a pencil correctly. But, it was only a minor annoyance until we hit my LD son. My K appears to be in the minor annoyance category but now I may just know too much! I'll be truthful with you, Beth, I have never had the time in my program to make an issue of this. Teaching K-6 with only one part time para, it is darn hard to sit next to a child day in and day out and work on this. It is hard to break. I have thought of having them practice making straight lines, top down and orally saying that or something cute if you can think of it while they practice. Ditto for circles, I have used a clock face and had them practice, starting at 2:00, to try to establish accepted directionality. |
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